Posts tagged ‘Jarbas Lopes’

Crafting Your Weekend: Art, Craft and Fun at the ASU Art Museum

We’re sure you’ve all been eagerly wondering since the start of the school semester, ”When is the ASU Art Museum going to have another awesome art party? And when are all their cool new shows going to open?”

Well, wait no longer, for the time has come! Hope you’re resting up this weekend, because we’ve got a full schedule lined up next weekend, Sept. 26-28 at the ASU Art Museum, and we want to see your faces there.

If you’re looking for something to do between now and Sept. 26, both Christine Lee and Del Harrow will be in the Museum creating site-specific works for the Crafting a Continuum: Rethinking Contemporary Craft show.

Lee detail

Christine Lee, “Piece by Piece,” 2013 (detail). Wooden shims, graphite.
Photo: Elizabeth Kozlowski.

Christine Lee started today and will be working through Sept. 26. She’s become a part of our community over the past couple of years as a Windgate visiting artist; she has taught in the School of Art and lived at Combine. She studied furniture making with the legendary Wendy Maruyama, whose show opens at the Museum on the 26th, and takes an innovative approach to working with wood. And ceramic artist Del Harrow will be installing in our lobby from Sept. 24-26, adding to Cabinet #3 (2012).

Harrow

Del Harrow, “Cabinet #3,” 2012. Ceramic, luster, wood. Photo: Craig Smith.

Here’s a rundown of all the happenings and can’t-miss events that we’ve got planned for the weekend of the big opening:

Thursday, Sept. 26, 2013: Kick off the weekend with what’s sure to be a great lecture from an internationally renowned artist. Jessica Jackson Hutchins will be at the ASU-Tempe campus as a featured speaker for the Jan Fisher Memorial Lecture Series, which brings established and emerging women ceramicists to the Phoenix community.

Hutchins, who currently lives and works in Portland, Ore., makes reference to everyday rituals and family life in her work, whichplaces her in the rich tradition of artists who combine the personal and the cultural. In her assemblage sculpture, she teases out notions of function and display by creating richly glazed vessels and locating them on top of or inside used furniture, such as armchairs, couches and tables, or balancing them on plinths of her own devising.

The lecture will be held in COOR 174 and begins at 7:30 p.m. It is free and open to the public. A reception with the artist will follow at the Ceramics Research Center.

Jessica Jackson Hutchins, "Venus," 2013. Photo: Nick Ash. Courtesy the artist and Laurel Gitlen, New York.

Jessica Jackson Hutchins, “Venus,” 2013. Photo: Nick Ash. Courtesy the artist and Laurel Gitlen, New York.

Friday, Sept. 27, 2013: Visual artist and Arizona native Paul Nosa joins the ASU Art Museum for a  two-day sewing performance with his Solar Sewing Rover, a portable sewing machine powered by a solar panel or a bicycle with an electric generator. Nosa will create original images, which are machine sewn on fabric patches, using word associations provided by our guests. Nosa’s goal is to inspire people’s creativity and to demonstrate alternative energy sources through his performances. This performance is co-sponsored by the Global Institute of Sustainability at ASU.

Nosa will perform twice on Friday: from noon-1:30 p.m., in the GIOS Breezeway and again from 5:30-8:30 p.m., at the ASU Art Museum front entrance. His second performance will kick start the fall season opening reception, which we’d like to think of as Tempe’s art celebration of the season. The party is from 6:30 – 8:30 p.m., with a special member’s preview at 5:30 p.m. Full details here: https://asuevents.asu.edu/season-opening-reception-fall-2013

Image: Paul Nosa,"Glow-in-the-dark piano on fire." Courtesy of the artist.

Image: Paul Nosa,”Glow-in-the-dark piano on fire.” Courtesy of the artist.

When you’re in the museum for the reception, you’ve got a lot to check out, and you don’t want to miss any of it. Crafting a Continuum: Rethinking Contemporary Craft, Wendy Maruyama: Executive Order 9066 and This Is Not America: Protest, Resistance, Poetics are all new and on view. And, if you haven’t seen it yet, be sure to duck into the Multi-Purpose Room for Plate Silk Stone: Impressions by Women Artists from the ASU Art Museum Print Collection to see a show co-curated by one of ASU’s undergraduate students and research interns, Emma Ringness.

Wendy Maruyama, "Tag Project," full installation view at San Diego State University. Paper, string and ink. Each approximately 11’ x 2’ in diameter, 2012. Photo credit: Kevin J. Miyazaki.

Wendy Maruyama, “Tag Project,” full installation view at San Diego State University. Paper, string and ink. Each approximately 11’ x 2’ in diameter, 2012. Photo: Kevin J. Miyazaki.

Saturday, Sept. 28, 2013: Don’t stay too late at the Museum having fun on Friday, because the day starts bright and early at COOR 174 with the “Flashback Forward: Rethinking Craft” Symposium, which will explore and discuss critical issues facing the field of contemporary craft.  Our keynote speaker is Jenni Sorkin, with a presentation by Guest of Honor Wendy Maruyama, and lectures by artists Garth Johnson, Christine Lee, Del Harrow and Erika Hanson. There’s too much cool stuff (and it’s all free!) happening to list here, but you can view the full schedule, as well as RSVP, for Saturday’s symposium on the event page: https://asuevents.asu.edu/flashbackforward-rethinking-craft-symposium

And, if you missed him on Friday – or just can’t get enough of Paul Nosa — he’s back again on Saturday with another performance from noon – 2 p.m. in the COOR breezeway.

Whew! What a weekend! We can’t wait. And while you’re out enjoying yourselves, don’t forget to tweet and Facebook us your photos.

Jarbas Lopes, "Cicloviaéra," 2006. Osier (natural fiber vine) over bicycle. Photo by Craig Smith.

Jarbas Lopes, “Cicloviaéra,” 2006. Osier (natural fiber vine) over bicycle. Photo by Craig Smith.

September 20, 2013 at 10:44 pm Leave a comment

You can’t move forward until you know where you are

The Social Studies initiative is guided by open process. Whether it was the fully democratic creative process driven by artist Jarbas Lopes, the opening of the decision making process allowed by artist Josh Greene, or exposing ourselves to the new state of the economy and housing crisis through the volunteer vampire and zombie actors trained and directed by artist Jillian Mcdonald, active participation has always been key to Social Studies success.

image credit: stephen gittins

Over the past couple of months, in preparation for Social Studies Project 6 with Gregory Sale, the artist and I have been visiting correctional institutions and organizations involved with all aspects of justice. We’ve been inside the Florence and Eyman State prisons, The Towers county jail complex, and the Maricopa County Sheriff’s Office.  I’ve had the great fortune to meet with individuals involved with the GED education, Legacy and ALPHA programs inside the system. We’ve had members of their teams here in the museum, working on logistics planning to insure positive results. We’ve met with the leadership of Gina’s Team, an independent inmates’ needs organization; University of Arizona professor Richard Shelton regarding his Creative Writing Workshops at the Arizona State Prison; dancers and choreographers working with Journey Home and Girl Scouts Beyond Bars; and members of social justice and human rights organizations. I’ve met passionate people, working both inside and outside the system, involved with these programs, and heard from both facilitators and participant of their benefits.

image credit: john spiak

Gregory has orchestrated these visits, and, without his passion, openness, dedication and hard work, these connections would not be possible. This process has allowed us to have direct conversation with those involved in the programs from a different perspective: the instructors, the supervisors and the participants. We have met with them, explained what we were up to and the overall vision for the project. We’ve asked for volunteers, giving them all the details we possible could and providing them every opportunity to opt out if they did not feel comfortable.

image credit: john spiak

Working with Gregory has provided a unique opportunity. He is an artist of our very own community, one who has been actively involved in performance and social practice since the mid-90s, when he and I first met. As an artist and educator, he has been an active participant in the Social Studies series from the beginning, engaging his students with each visiting artist during their six-week residencies. With his background as a former charter arts high school teacher, a curator of education, an employee of the Arizona Commission on the Arts and currently an Assistant Professor of Intermedia at ASU’s School of Art, his connections to the community are established and strong. He is truly someone I trust and respect.

image credit: stephen gittins

image credit: stephen gittins

The fact that Gregory is a local artist has allowed the first opportunity in the Social Studies initiative to extend the residency from six weeks to three months.

As I stated in the title of this post, you can’t move forward until you know where you are, so this is where things start within the museum gallery structure with Social Studies Project 6.

image credit: stephen gittins

It’s not just black and white begins with the current state of corrections in the U.S. and Arizona, most specifically Maricopa County. We know it’s extremely complex, and when these issues are raised in public settings the discussion often becomes heated and passionate.  It comes from all directions, and we’ve heard it so many times, comments like, “You must not be tough on crime,” “You’re acting like a victim,” “They have been victimized,” “It’s an issue of public safety,” among many others. Each of us comes to the conversation with our own backgrounds, stereotypes, perceptions and prejudices. The messages get driven home to us through media and other sources, but so rarely are our own opinions based upon direct experience. The passions needs to be there, but with respect and knowledge. The respect for differing opinions, the respect for differing situations, the respect for the individual, the respect for one another as human beings, and the knowledge that comes from firsthand experience. It’s my opinion that conversations can only move forward when everyone is welcome at the table – those with different knowledge bases and from different backgrounds, with diverse experiences and insights.

image credit: john spiak

This past week we began the in-gallery activities of It’s not just black and white. We invited inmates from the Maricopa County Jails’ ALPHA Program to join us at the Museum. They worked as artistic collaborators with Gregory and his team of current and past students as part of the residency, all volunteering to participate in the project. Background checks were run by MSCO on all participants, and MCSO officers were present to insure public safety.

image credit: john spiak

The ALPHA is a re-entry and rehabilitation treatment program, designed to reduce crime, recidivism and substance abuse.

image credit: john spiak

We started the day with a brief introduction and again, explained that if there were any components of the project anyone was not comfortable with, there was no obligation or pressure to participate. We took everyone together on a museum tour. We shared works from the Re-Thinking the Faculty Exhibition being installed, our Americas Gallery permanent collection, and the FUNd exhibition. We talked about the complex works of Jon Haddock, artists from CUBA, Deborah Butterfield and the art and society focus of our institution. We returned to the gallery and took coffee and soda orders from all present, then got to work. When the drinks arrived, we distributed them, but the work continued. We took a break for lunch, sitting together to enjoy a meal and continued getting to know one another, talking honestly and openly.

image credit: john spiak

As you can see from the images posted (and slideshow below), it was a day of activity, conversation and building relationships – group discussions, one-on-one opportunities, introducing collaborators to members of our community who are part of Gregory’s advisory committee.

image credit: john spiak

The week started at the current state of corrections, but quickly moved into the building of relationships, open dialogue and direct experiences. Through participation, continued open dialogue, performances, lectures, panels, tours and artistic gestures scheduled over the coming months, it is my hope that these conversations and experiences will continue to move forward in positive directions and with positive outcomes.

image credit: john spiak

As It’s not just black and white moves forward, you will continue to see activities taking place in the gallery and throughout the community, both scheduled and improvised, that build upon this conversation. Gregory’s official website for the project will go live this week, so I will make sure to post a link on our blog when it’s ready.  He’ll be posting schedules, tour sign-ups, images and much more, as we will continue to do as well on our own blog, website, Facebook and Twitter accounts.

image credit: john spiak

Everyone is welcome at the table, so I strongly encourage you to visit the gallery at several different times during the course of the three-month residency, to get a sense of the project as a whole. The outcome of the project depends on your involvement and your input.  A good place to start is by attending the ASU Art Museum Season Opening Reception which takes place this Friday, February 18 from 7-9pm – it’s free for everyone!

image credit: stephen gittins

I look forward to your participation, insight and knowledge moving Social Studies and issues of our community forward!

– John Spiak, Curator

It’s not just black and white is supported a grant from
The Andy Warhol Foundation for the Visual Arts

This slideshow requires JavaScript.

Additional Blog Posts
Angela Davis, Sheriff Joe Arpaio, Youth in Detention = Social Practice
Reconnecting – It’s not just black and white
Dream like you mean it: The Mother-Daughter Distance Dance
Another Active Week and the Schedule for April
Waiting for Release, Sentencing Reform & Welcoming Home
Invitation to Join Us for Volunteer Event – GINA’s Team
Inside & Outside – It’s not just black and white
More Similar Than Different + Tent City Jail Tour Opportunity
You can’t move forward until you know where you are
Olympic Gold Medalist, Gina’s Team and PVCC Students!
IT’S NOT JUST BLACK AND WHITE: Gregory Sale – Social Studies Project 6

February 15, 2011 at 4:36 am 18 comments


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