Posts tagged ‘ISEA2012’

Want a sneak peek of the Fall 2012 Season Opening?

The ASU Art Museum’s Season Opening is this weekend — Friday and Saturday night, from 6:30-9 p.m. — at both the Museum and the Ceramics Research Center.

The events are free and open to the public, and there’s something for everyone, from the premiere of a video/dance piece in the Nymphaeum to a parkour team using the building as their canvas to food trucks in the parking lot.

The parkour group Movement Connections will perform from 6:30-7:30 p.m. Then, at 7:30 p.m., composer/musician Wayne Horvitz will premiere 55: Music and Dance in Concrete, his collaboration with choreographer/dancer Yukio Suzuki and video artist Yohei Saito.

You can get a taste of 55: Music and Dance in Concrete here: http://www.youtube.com/watch?feature=player_embedded&v=3x6OPYI6ZE4

Below are some shots by photographer Sean Deckert of Movement Connections in action, plus some photographs (also by Sean Deckert) from ISEA2012, in Albuquerque, where artist Miguel Palma presented his “Desert Initiative Remote Shuttle,” which will be on display at the opening as part of Palma’s show Trajectory.

Join us on Friday and/or Saturday night for the big show! So nice, you might just want to come by twice.

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September 25, 2012 at 10:51 pm Leave a comment

The Desert Initiative’s DI:D1 launches at ISEA 2012 in Albuquerque

The Desert Initiative is taking the International Symposium on Electronic Art in Albuquerque by storm — or haboob, to be desert-specific — where it’s kicking off Desert Initiative: Desert One, a.k.a. DI:D1, which runs now through the spring of 2012 and encompasses exhibitions and projects around the Southwest.

DI Director Greg Esser is participating in ISEA2012: Machine Wilderness, Sept. 19-24, as are ASU Art Museum Director Gordon Knox, artist Chip Lord (whose Ant Farm Media Van v.08 [Time Capsule] is on view at the CRC, and ASU Art Museum International Artists-in-Residence Clare Patey (England), Miguel Palma (Portugal) and Matteo Rubbi (Italy).

On Sept. 20, Knox, Patey and Phoenix artist Matt Moore presented at the symposium on the topic of extinction; Patey and Moore are collaborating on a project titled Rare Earth, to be unveiled at the ASU Art Museum in the spring of 2013.

Here are Patey and Moore pre-presentation:

Chip Lord will speak about the Media Van on Monday, Sept. 24 and Miguel Palma will be one of the featured artists during 516 Arts Downtown Block Party on Sunday, Sept. 23, with his Remote Desert Exploration Vehicle, a converted former military vehicle that explores desert surroundings during the day and returns to urban areas to project the desert imagery on buildings at night.

The Remote Desert Exploration Vehicle will be on view at the ASU Art Museum starting Sept. 28, as part of Palma’s exhibition Trajectory.

Here are some photos by Phoenix photographer Sean Deckert of the Remote Desert Exploration Vehicle’s trip out to Albuquerque:

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Join us at the Museum on Sept. 28 and 29 to celebrate the season opening of both Ant Farm Media Van v.08 [Time Capsule] and Miguel Palma’s Trajectory!

And if you’re wondering about those passports pictured in the slideshow above: Stay tuned…

September 21, 2012 at 8:48 pm Leave a comment

The Desert Notebooks: Charted Territories

“Of what avail are forty freedoms without a blank spot on the map?”
Aldo Leopold

Arizona is one of the most beautiful states in the Union, a diverse range of landscapes, each more breathtaking than the next, ranging from vast and desolate plateaus to hidden canyons opening into lush, green fields, from cactus fields to piñon forests.

Arizona was an even more abundant land before the arrival of progress and massive numbers of new residents and industries built on extraction.

Native communities thrived here for centuries before Europeans arrived. The canyons of northern Arizona are littered with large numbers of prehistoric ruins — sophisticated, multi-story masonry structures built into protective cliffs and along rivers. These structures were abandoned well before the arrival in the area of the Navajo, the largest Native community in the United States, who now trace their origin stories to this land..

The former abundance is reflected in the sheer number of these ruins, a mysterious precursor of the wildly expanding low-density sprawl we have in Arizona today. Matteo Rubbi found an aerial photographic map of Apache Junction taken in 1971 that shows a view of largely undeveloped that will never be reproduced.

Visiting artists Miguel Palma and Bruno Pereira Sousa, both from Portugal, and Matteo Rubbi from Italy and I traveled north this week on behalf of the Desert Initiative. On May 14, we were hosted on a visit to the Navajo Nation and other locations in New Mexico and northern Arizona by Phoenix artist Steve Yazzie (http://www.stevenyazzie.com). Yazzie and his family grew up on the Navajo Nation, and he had an opportunity to visit his mother while we were there. Yazzie’s late grandfather was a Navajo Code Talker, and Yazzie served in the Marines before dedicating himself to his work as an artist. One of his works was recently acquired by the Phoenix Art Museum.

Our first night was spent in Gallup, New Mexico, at the historic El Rancho Hotel. Gallup was once called the “Indian Capital of the World,” and about 30 percent of the city’s population traces its roots to Navajo, Hopi, Zuni or other Native communities.

The following morning, we had a meeting with Manny Wheeler, Director of the Navajo Nation Museum in Window Rock, and learned about many of the exciting exhibitions, projects and commissions he is leading there. We previewed several new temporary public art installations yet to be unveiled as part of a collaboration between the Navajo Nation and New Mexico Arts, the state arts agency. The commissions will be inaugurated in Sante Fe, N.M. on Friday, May 18. Desert Initiative and ARID Journal partner and ISEA2012 Artistic Director Andrea Polli and Will Wilson are among the artists commissioned. For more information, including a map and texts in both Navajo and English, visit http://www.timenm.com/

After a traditional Navajo lunch in Window Rock, we headed southwest through the Navajo Nation toward Chinle Canyon, where we saw several of the prehistoric ruins and watched horses run across the canyon floor. We spent the night and following morning in historic downtown Flagstaff, where we also met with Alan Petersen, Curator of Fine Arts for the Museum of Northern Arizona, and toured his current exhibition, Shadows on the Mesa—Artists of the Painted Desert and Beyond. I highly recommend a visit. More information is available on-line at http://www.musnaz.org/exhibits/shadows/index.shtml

On the drive south back to Phoenix from Flagstaff, as the elevation dropped, the exterior temperature rose from 72 degrees to 106 degrees over a roughly 140-mile drive. We passed by the fires raging on the west side of I-17 near Sunflower, Arizona. At a certain point, smoke from the fires blocked out the afternoon sun and cast otherworldly light and shadows on the landscape.

I saw things on this short journey that I’ve never seen before and may not ever see again: Horses attempting to open the front door of house. The sun sinking through a red and black veil of smoke rising from the largely uncontained Sunflower fires raging to the south, at one point lighting up the previously invisible silhouette of the San Francisco Peaks like a volcano as it slowly sank behind the horizon. Through it all, the best moments were watching the landscape through the eyes of international guest artists and watching the creative process in action as everyone interacted and responded creatively throughout with vision, inspiration, laughter and friendship. My sincere thanks go out to Steve Yazzie, Manny Wheeler and Alan Petersen for their time and support on behalf of the Desert Initiative and ASU, and to our visiting artists Miguel Palma, Bruno Pereira Sousa and Matteo Rubbi.

GREG ESSER
Desert Initiative Director
ASU Art Museum

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Photographs by Steven Yazzie.

May 21, 2012 at 7:44 pm 1 comment


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