Posts tagged ‘ASu School of Dance’

New Socially Engaged Practice Speaker Series!

The Socially Engaged Practice Initiative at the Herberger Institute for Design and the Arts introduces a monthly speaker series showcasing exemplary practice by nationally recognized visiting artists and members of our ASU and regional community.

Socially Engaged Practice is an evolving area of art and design that uses participation, reciprocal relationships and collaborations in community contexts to promote civic dialogue and investigate pressing issues of our time.

The events are supported by the ASU Art Museum, The School of Dance, The School of Theatre and Film, the School of Art and the Herberger Institute for Design and the Arts. Individual events are also supported by various other partners.

The first event in the series takes place tomorrow, Tuesday, at the ASU Art Museum, at 6 p.m., when the Socially Engaged Practice Initiative, ASU Gammage, and the ASU Art Museum invite you to listen, discuss and even try out a participatory performance event called City Council Meeting. Artists Aaron Landsman and Mallory Catlett will be on hand to explain the process and thinking behind their work, the way the piece interacts with the Tempe community and the ways you can be a part of the February 16th performance at ASU Gammage. (More about City Council Meeting below.)

And mark your calendars for Oct. 9 from 6-8 p.m., when Arizona State University contributes to the Town Hall Nation project with an unscripted, participatory Evening of Community Engagement & Civil Dialogue.The event, which will take place at the ASU Art Museum, is free and open to the public, and is sponsored by the Herberger Institute’s Socially Engaged Practice Initiative and co-sponsored by the ASU Art Museum and the schools of Theatre and Film and Public Affairs, and the Hugh Downs School of Human Communication.

More about City Council Meeting:

The Project

City Council Meeting is a participatory performance of empathy and democracy and power, created by New York artists Aaron Landsman, Mallory Catlett and Jim Findlay, in collaboration with local artists Elizabeth Johnson and Gregory Sale. The piece is co-commissioned and presented by ASU Gammage. Our hope is that Tempe council members and their staff will be able to join other community members in our process over the next several months, and participate in our performances in February.

City Council Meeting is being developed in four cities – Houston, Tempe, New York and San Francisco. In each, the goal of the piece is to get a diverse range of people – from elected representatives, to their constituents, to those that often get left out of the conversation – into the room so that they can speak together. We want to give everyone the chance to understand how others see themselves and each other, and see what we can learn in the process. We also want to make a beautiful piece of art.

Over the last year Landsman and Catlett have done informal research and interviews with a broad range of Tempe residents, from elected officials to homeless young adults, from the Chamber of Commerce to college students.

How It Works

The performance is divided into three parts: an orientation video, similar to what you’d see before doing jury duty; a reading of transcripts from government meetings in several U.S. cities; and a final section created locally in each place where it’s presented, through collaborations with local artists, non-artists, elected officials and other populations.

When viewers arrive at the theater, they have a choice as to whether and how to participate: be a Councilor and read the meeting; be a Speaker and say a piece of testimony; be a Supporter, and you don’t have to say anything, but you’ll get a set of instructions (stand up at certain points, text message to a specified phone number, etc); or be a Bystander, and simply watch the performance as you would a normal play. Once that’s done, the “meeting” starts. Together with our local group of performers (whom we call “staffers”), everyone in the room enacts the transcripts we’ve assembled from our research in over 10 cities. You’ll read council members in Bismarck, students in San Antonio, activists in Oakland and engineers in Houston, among others.

For each city’s ending section, we attempt to bring together parties on various sides of an issue we see played out in local council meetings. Often these issues seem mundane on the surface but underlying them are more profound questions: What makes us civilized? How do we perform ourselves? What can we do for each other? How can we know each other better?

City Council Meeting in Tempe is commissioned by ASU Gammage. The project has been made possible with funding by the New England Foundation for the Arts’ National Theater Pilot, The MAP Fund, a program of Creative Capital, the Puffin Foundation and Jerome Foundation. City Council Meeting is a National Performance Network (NPN) Creation Fund Project.


September 17, 2012 at 11:17 pm Leave a comment

Reconnecting – It’s not just black and white

April is drawing to a close, and it has been an extremely busy month for projects associated with Gregory Sale’s Social Studies project It’s not just black and white.

The month began with the third public tour of Tent City Jail, another informative, eye-opening and direct experience opportunity for all involved.

On April 9, the Museum was fortunate to host a portion of the School of Social Transformation, Justice & Social Inquiry’s 1st Annual ASU Human Rights Film Festival. The afternoon, organized by the School of Social Transformation in collaboration with the Tempe Chapter of Amnesty International and ASU Art Museum, was based on the theme of Prisoner’s Rights and Militarization of Justice, screening the films Cointelpro 101 and The Response. The screening was followed by a lively discussion on the topics, led by Alan Eladio Gómez, Ph.D. Borderlands Scholar and Assistant Professor in the School of Justice and Social Inquiry at ASU.

The organization Reentry and Preparedness, Inc. (REAP) hosted a meeting on April 12 for its board of directors and advisory board. Reentry and Preparedness, Inc. (REAP) is dedicated to providing green job training, transition training, and mentorship for the families of the reintegrators from prisons and jails. The event was organized by Carol Manetta, Executive Director of REAP, as part of It’s not just black and white Open Bookings.

The Civil Dialogue Project on April 13 focused on creating a safe space for divergent viewpoints. Using the technique of civil dialogue, ASU faculty from the Hugh Downs School of Human Communication facilitated a dialogue focused on two hot topics: incarceration and prisons. This project was an opportunity for students and the public to dialogue safely about issues that could be polarizing, in an effort to promote understanding. The event was facilitated by Clark Olson, Instructional Professional, and Jennifer Linde, Lecturer, at the Hugh Downs School of Communications.

Through arrangements made by the artist, working in direct relationship with the administrations of Adobe Mountain and Black Canyon high schools of the Arizona Department of Juvenile Corrections, fifteen male and female students joined us at the Museum on April 18th for their first of three full-day visits.  The students, along with their teachers, administration and ASU students, received a tour of the Museum and were provided a brief introduction to It’s not just black and white by the artist. We all walked to the School of Art, where we joined Stephen Gittins’ photo class and were given a tour of the studios and darkrooms. We took a walk through campus to the Memorial Union, where we enjoyed a lunch and conversation together. Upon arriving back at the museum, the art supplies were ready for the students to add their artistic expressions to the public wall within the gallery space. ASU Graduate Teaching Assistant Ashley Hare, of the ASU School of Theatre and Film, then led the students through a series of performance and improvisational workshops. Finally, the students walked over to the back of the Nelson Fine Arts Center theatre spaces and worked with graduate students through a puppetry workshop, creating their own puppets out of the masses of supplies made available to them.

A program the evening of April 19th combined two diverse groups in conversation.  The first group was criminal justice students of Professor Cathryn Mayer from Brookline College who arranged guest speaker Deputy Director Charles Flanagan from the Arizona Department of Corrections.  The second group were students from ASU professor Dr. Alesha Durfee’s Women and Social Change class who organized a panel including Maricopa County Chief Probation Officer Barbara Broderick of the Adult Probation Department, Sue Ellen Allen of Gina’s Team, Peggy Plews of Arizona Prison Watch and Donna Hamm of Middle Ground Prison Reform.  The entire group of sixty-five individual in attendance received a wide range of views and perspectives before engaging in respectful question and answer dialogue for an extremely successful event.

This past Saturday, April 23, as an Open Booking, The United Teams for Restorative Justice took over the space, providing a panel presentation of five organizations and their constituencies who engage with the criminal justice system, helping individuals heal and move forward in life. The five organizations in attendance and being recognized for their tireless efforts included Moma’s House, for its dedication to helping abused women escape the abuse and start a new life; Arizona Peace Alliance, for having a Department of Peace added as a cabinet level position in the government and for legislation aimed at teaching peaceful solutions; Gina’s Team, for its work to ensure inmates basic life needs are met; Reentry and Preparedness, Inc.,  for its dedication to support and renew those who have been incarcerated and deliver them gently back into society; and finally Phoenix Nonviolence Truth Force, for its trainings in peaceful solutions to everyday problems.  According to United Teams for Restorative Justice, it is is an organization dedicated to helping any party having contact with any criminal justice agency. They help not only the defendants and the victims but their families as well.  The event was organized by the United Teams David DeLozier.

This morning, April 26, the Maricopa County Adult Probation Executive Management Team (EMT) held their monthly meeting in the gallery. The EMT consists of a Chief Probation Officer, three Deputy Chief PO’s and eleven Division Directors. The Maricopa Adult Probation has about 1,100 employees and is responsible for supervising a monthly average of 58,264 probationers. The EMT meets monthly to focus on the strategic plan, managing for results and departmental goals in order to ensure that the departmental mission is realized. The meeting was organized by Therese Wagner as part of the Open Bookings.

And tonight we host the event “Incarceration and the Mentally Ill: Punitive or Restorative Justice?,” a formal dialogue with approximately twenty participants discussing the care and treatment of those with mental illness as their lives intersect with the criminal justice system. The goal is to bring together individuals with diverse perspectives and experiences, from the advocates for increasing rehabilitation of mentally ill offenders to those who feel the criminal justice system in place in Arizona is working well. The event is organized and managed by Mary Lou Brnick of the non-profit organization David’s Hope, with support from the Office of Individual and Family Affairs at the Arizona Department of Behavior Health Services and the Arizona Mental Health and Criminal Justice Coalition. The public is invited to observe the dialogue and participate during Q & A.

But it has been the past few days that have provided some amazing reconnections…

Last Friday a Cub Scout group visited the space. The scout leader, an Eagle Scout in ranking, was in the space sharing insights with his scouts. He encouraged them to express themselves artistically on the public wall as he spoke to them about the topics of the overall project. As he completed his conversation with the boys and allowed them time to draw, I approached and thanked him for his thoughtfulness toward the project and for sharing that thoughtfulness with his troop. It turns out their scout leader has a connection with the Museum; he toured the location many times and had been involved with educational outreach programs as a student at McClintock High School in Tempe.  He expressed how those experiences truly influenced his life and how he is so pleased to be able to share those similar experiences with his young troop.

On Monday our students from Adobe Mountain and Black Canyon reconnected with us for their second visit. It was so wonderful to see their smiling faces once again and hear of their eagerness to get started for another day of activities. Gregory began the day with a little presentation on the history of stripes, all through small black and white drawings.  He started with an image from “a mural in Italy painted around 1340 of three young women in stripes condemned to prostitution saved by Saint Nicolas,” shifted to image of Holocaust uniforms, then images of stripes as portrayed in the media and pop culture, shared the Razzle Dazzle camouflage used on ships during World War I, then the use of stripe in architecture, in patterning and finally examples of stripes used by contemporary artists. He talked about these historic stripes’ association with the current use of stripes in our community and within the exhibition, having the students consider their use and meaning more deeply.

Gregory then challenged the students to reconsider the stripes on the wall of his space. If they had the opportunity, how would they make adjustments to his vision? Each student was then invited to select an ASU student collaborator and express their vision through a painting workshop orchestrated on the floor of the gallery space. The results were fantastic, and each team had the opportunity to share their insight, creating a great dialogue with each other and the space of the Museum.

A walk across campus for lunch together at ASU’s Secret Garden provided the opportunity for a communal meal and insight from Heather Landes, Associate Dean of the Herberger Institute for Design and The Arts. Heather provided the students deeper knowledge of the opportunities available to them in the Arts and Design through ASU.   She talked about the application process and invited them all to join us as students at ASU upon the completion of their high school education.

After lunch our dynamo colleague, Elizabeth Johnson, Coordinator, Public Practice in the School of Dance, got the students moving. She worked with them collectively to get their bodies moving, first in basic movements then gradually building up to more choreographed series. The students broke off into groups and choreographed their own dances in relationship to the conversations of the day, then performed them for the other groups. We sat together and talked about the dances we had just observed and shared our overall impressions on the experiences. You could tell by the smiles and energy, it was extremely successful.

The students then loaded into their van and were shuttled off to the other side of campus to engage with School of Art Professor Angela Ellsworth’s intermedia performance art class. The student were greeted by the ASU students and given an overview of their studies. They talked about a current project they were developing and asked the high school students if they would assist. The project is titled “Cyborgs vs. Humans,” a parking lot tag style game that examines current culture and technologies. The rules for the activity were explained, and then everyone went to the parking lot for round one. The Cyborgs won round one in less than five minutes, then we all went back inside and debriefed. The information was gathered regarding successes and failure, differing options and possibilities. The game rules were adjusted and it was back to the parking lot for round two. Round two proved to be much more successful, a game lasting just over  10 minutes and exhausting everyone. At one point during the game, one of the high school students instructors turned to me and said, “It’s so good to see this kids get the opportunity to be kids,” and I would have to agree. It was good knowing that these students received a great day of activities and were probably going to get a great night’s sleep.

The students weren’t the only reconnection that happened on Monday. Mid-morning Erik, one of the original ALPHA program inmates who collaborated with Gregory to paint the stripes within the gallery, showed up at the Museum with his girlfriend, Lisa. Erik had been released, and it was so great to see him at the Museum in his own clothing. He toured Lisa through the space and shared the project and his experience with her, expressing the project’s intent as if he was leading a docent tour. He pointed out his contributions to the public wall as he reconnected with me, Gregory and Elizabeth Johnson, with whom he had performed a dance during his original visit. Before we knew it, Erik was down on one knee with a ring in his hand, proposing to Lisa, who immediately said YES!

Reconnecting is important, can be magical and is necessary at times in helping move forward in positive directions. I hope there are many more of these moments ahead!

-John Spiak, Curator

This slideshow requires JavaScript.

Additional Blog Posts
Angela Davis, Sheriff Joe Arpaio, Youth in Detention = Social Practice
Reconnecting – It’s not just black and white
Dream like you mean it: The Mother-Daughter Distance Dance
Another Active Week and the Schedule for April
Waiting for Release, Sentencing Reform & Welcoming Home
Invitation to Join Us for Volunteer Event – GINA’s Team
Inside & Outside – It’s not just black and white
More Similar Than Different + Tent City Jail Tour Opportunity
You can’t move forward until you know where you are
Olympic Gold Medalist, Gina’s Team and PVCC Students!
IT’S NOT JUST BLACK AND WHITE: Gregory Sale – Social Studies Project 6

April 27, 2011 at 12:06 am

June 2023

ASU Ceramics Research Center Library