In the News: American Craft Council names ASU Art Museum exhibition in Top 10 of 2013

In their annual look back at the most noteworthy trends, events and exhibitions of the past year, the American Craft Council highlighted the “Crafting a Continuum: Rethinking Contemporary Craft” exhibition at the Arizona State University Art Museum as one of the most monumental of 2013.

“Involving many years of research, staff dedication, and cross-institutional collaboration,” the exhibition is mentioned alongside others from institutions such as the Metropolitan Museum of Art, the Corning Museum of Glass and the Mint Museum in Charlotte, N.C.

The American Craft Council (ACC) is a national nonprofit educational organization founded in 1943 that promotes “understanding and appreciation of contemporary American craft.” They publish the bimonthly magazine American Craft, which is one of the most highly regarded publications in the field of craft.

 “Crafting a Continuum,” which was on view from Sept. 7, 2013 through Dec. 7, 2013, was a presentation of the ASU Art Museum and Ceramics Research Center in the Herberger Institute for Design and the Arts and was the museum’s first comprehensive exhibition to highlight its extensive craft holdings, including new international acquisitions in wood, ceramics and fiber. The exhibition and accompanying programming was made possible with generous support from the Windgate Charitable Foundation, Nancy Tieken and Joanne and Jim Rapp.

Del Harrow, “Cabinet #3,” 2012. Ceramic, luster, wood. Photo: Craig Smith.

The accompanying catalog for the exhibition was edited by curators Peter Held and Heather Sealy Lineberry and contains a foreword from museum director Gordon Knox, as well as essays from some of the top thinkers in contemporary craft. It is available at the ASU Art Museum store; call 480.965.9076 for details. 

Beginning in January 2014, “Crafting a Continuum” is travelling nationally to five additional venues: the Bellevue Arts Museum in Bellevue, Wash., the Boise Art Museum in Boise, Idaho, the Ft. Wayne Museum of Art in Ft. Wayne, Ind., the Nora Eccles Museum of Art at Utah State University in Logan, Utah, and the Houston Center for Contemporary Craft in Houston, Texas. 

For the full article on the American Craft Council’s website, visit: http://craftcouncil.org/post/year-craft-10-noteworthy-trends-events

Moctezuma’s Revenge opens Jan. 25 at the ASU Art Museum

Tempe, Ariz. – “Moctezuma’s Revenge,” the first comprehensive solo exhibition of works by contemporary Mexican-American artist Eduardo Sarabia, opens at the ASU Art Museum Jan. 25, 2014. The exhibition, curated by Julio César Morales, will feature more than 40 works of art from both previous and new bodies of Sarabia’s work in a variety of media, including sculpture, painting, video, fiber and works on paper. Also included in “Moctezuma’s Revenge” is Sarabia’s breakthrough installation, “The Gift,” previously exhibited at the 2008 Whitney Biennial.

Eduardo Sarabia, “La Venganza de Moctezuma,”, 2011,
acrylic on paper, 14 in x 17 in (43 cm x 36 cm).
Image courtesy of the artist and Proyectos Monclova, Mexico City.

“Sarabia’s exciting new body of work is in perfect dialogue with Arizona,” explains Morales, “in regards both to the content of the work and to its relationship to the current social climate we are experiencing, from connections to borders, the legalization and trafficking of drugs and identity issues.”

ABOUT THE EXHIBITION

On view in the Lower Level and Lobby galleries at the ASU Art Museum through April 26, 2014, “Moctezuma’s Revenge” will be the largest exhibition to date of Sarabia’s work, as well as a departure from previous exhibitions of the artist’s work in that it will showcase the depth, range and scope of his practice. An opening reception for the exhibition will be held Feb. 14, 2014, from 6:30–8:30 p.m. (with a members, alumni and press preview from 5:30–6:30 p.m.).

Eduardo Sarabia. City in the Clouds, 2013. Oil on canvas, 60 x 75 in. Image courtesy of the artist and Proyectos Monclova, Mexico City.

The majority of new work being created for this exhibition is influenced by the artist’s recent visits to Arizona. “From the beautiful distinct light of Phoenix to Yaqui ceremonial dances and to the magical of I’Itoi’s Cave,” says Morales, “Sarabia has translated Arizona into ceramic, video, fiber and works on paper.”

In conjunction with “Moctezuma’s Revenge,” the public has a rare opportunity to collect an edition of one of Sarabia’s ceramic works, made possible by a collaboration with Artspace. Proceeds from the sale of the edition will support the exhibition at the ASU Art Museum.

Eduardo Sarabia, Desert Dreams, 2013.
Photo courtesy of the artist and Artspace.

Artspace is an innovative new collecting platform for visual artwork co-founded by Chris Vroom, a well-known patron of the arts and an avid contemporary art collector, that offers limited editions and original works from established and emerging artists and makes them available for sale online while simultaneously supporting international museums, galleries and cultural institutions. For more information or to purchase one of Sarabia’s editions, visit artspace.com/magazine/interviews_features/eduardo_sarabia.

ABOUT THE ARTIST

Eduardo Sarabia (b. 1976 ) is a Mexican-American artist who grew up in Los Angeles and presently lives and works in Guadalajara, Mexico. He is best known for his series of hand-painted ceramic vessels that, at first glance, are indistinguishable from the blue-and-white Talavera vases that tourists buy as souvenirs. However, rather than traditional floral and geometric motifs, these vases boast modern hieroglyphs of Mexican and Norteño drug culture such as marijuana leaves, guns, skulls, pin-up models, bottles of liquor, packs of cigarettes, and animals that symbolize specific drugs: the rooster, marijuana; the goat, heroin; and the parrot, cocaine. Sarabia makes reference not just to a physical border, but to a dividing line in the identity of one who feels at once familiar with and distant from his or her cultural heritage.

Sarabia’s interest in the relationship between his cultural roots and his American identity has been a constant theme in his work. Drawing inspiration from the unique and complex zone that divides Mexico from the United States, Sarabia stages intricate scenes infused with light, romanticism, humor and a sense of absurdity. From his liminal point of view, he exposes clichés about Mexican culture in order to question the imaginary borders demarcated by cultural stereotypes.

His work has been shown at Los Angeles County Museum of Art, Santa Monica Museum of Art, Museum of Fine Arts Boston, Whitney Museum of American Art, LA Louver and the New Museum of Contemporary Art, as well as at the 51st Venice Biennale, the 2nd Moscow Biennale and the Istanbul Biennial, among others.

CREDIT

“Moctezuma’s Revenge” is curated by Julio César Morales, generously supported by the Fran Fee Memorial Fund, and organized by the ASU Art Museum, part of the Herberger Institute for Design and the Arts at Arizona State University.

An earlier variation of this exhibition, “Tainted,” was curated by Adam Lerner and presented at the Museum of Contemporary Art Denver, where it was sponsored in part by David Caulkins.

ABOUT THE ASU ART MUSEUM

The ASU Art Museum, named “the single most impressive venue for contemporary art in Arizona” by Art in America magazine, is part of the Herberger Institute for Design and the Arts at Arizona State University.

To learn more about the museum, call 480.965.2787, or visit asuartmuseum.asu.edu.

Hours: 11 a.m. – 8 p.m. on Tuesdays (during the academic year), 11 a.m. – 5 p.m. Wednesday through Saturday. The museum is closed on Sundays and Mondays.

Admission: Free

Location/Parking: The museum is located on the southeast corner of Mill Avenue and 10th Street in Tempe. Metered parking is available in the lot directly west of the museum entrance.