What’s happening at the ASU Art Museum this week: April 14 – 20, 2014

April 14, 2014 at 5:27 pm 1 comment

Thanks to everyone who joined us for the ASU Art Museum Brickyard Grand Opening reception last Friday! The Ceramics Research Center is thrilled to be in its new home, and we’re thankful for all of your support through this exciting and transitional time.

AMUSEUM_thisweek041414

Wednesday, April 16, 2014:

Noon – 1 p.m. in the Kresge Gallery at the ASU Art Museum — Marilyn Zeitlin, a well-known contemporary art curator and Latin American art specialist, returns to the ASU Art Museum to give a gallery talk on Rhythm and History. For more info: https://asuevents.asu.edu/gallery-talk-stories-we-tell-ourselves-survive-marilyn-zeitlin

Friday, April 18, 2014:

Noon – 1 p.m. at the ASU Art Museum — curator Julio Cesar Morales discusses artist Eduardo Sarabia’s influences and the making of Moctezuma’s Revenge. For more info: https://asuevents.asu.edu/brown-bag-lunch-series-julio-cesar-morales-moctezumas-revenge

As always, museum admission (at any location) is always free! For questions on hours, directions or programming, call 480.965.2787 or visit asuartmuseum.asu.edu.

Image credits, clockwise from left:

Los Carpinteros, Vecinos (Neighbors), 2005. Fiberglass, polyester resin, stainless steel, silicon, PVC, water pump, water filter, lighting and water. 42 1/8 x 60 1/4 x 60 1/4 in. Gift of Diane and Bruce Halle from the Thomarie Foundation. From Rhythm and History (2014).

Eduardo Sarabia, Happy, 2011. Oil on canvas. 55.9 x 78.34 inches. Courtesy the I-20/Judelson Collection, New York. From Moctezuma’s Revenge (2014).

Image courtesy of Marilyn Zeitlin.

Sandra Ramos, from the series Migrations II [Swimming under the Stars], 1994. Oil on suitcase. Overall: 19 1/2 x 25 x 17 in. Gift of the ASU Art Museum Advisory Board 100% Cuban Campaign. From Rhythm and History (2014).

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What’s happening at the ASU Art Museum this week: April 7 – 13, 2014 Artist Pablo Helguera talks language insiders, e-books and ‘Librería Donceles’

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