Archive for July 19, 2011
Arizona State University Art Museum announces that John D. Spiak, Curator, will be leaving the Museum in August for the opportunity to lead an institution’s vision as Director/Chief Curator of California State University, Fullerton’s, Grand Central Art Center in Santa Ana, Calif.
Spiak joined the ASU Art Museum as Curatorial Assistant in 1994, and served as Curator from 1997 until August 2011. In his almost 17 years with the Museum, he has been responsible for leading such initiatives as Moving Targets (video), Social Studies (social practice) and Night Moves (dance). In 1997 he founded the annual ASU Art Museum Short Film and Video Festival, which he continued to direct, presenting the 15th annual festival this past April. He’s been involved in strategic planning and fundraising efforts and has curated over 50 exhibitions, including solo projects with artists Pipilotti Rist, Josh Greene, Shirin Neshat, Jon Haddock, Angela Ellsworth, Nadia Hironaka and the recent project It’s not just black and white with artist Gregory Sale.
“It is bittersweet that I depart the ASU Art Museum and the Arizona arts community,” Spiak said. “This has been my home for 17 amazing years and the place where I was afforded the opportunity to develop my curatorial voice. This would not have been possible without the incredible support and guidance of Marilyn Zeitlin, Heather Lineberry and Gordon Knox. I have found inspiration throughout this community, from artists, gallerists, collectors, supporters and colleagues. I look forward to continuing these collaborations toward mutually beneficial projects, as well as retaining the many friendships that have developed for me and my family.”
“John is as amazing a colleague as he is a curator,” said ASU Art Museum Director Gordon Knox. “From our internet presence to the Social Studies series to the video festival, John has pioneered the Museum’s current position. We will miss him among us on a daily basis. Although we are sad about his departure, this is a great move for him, and we are much better off for his contributions over the years. And to our continuing institutional collaborators at the Grand Central Art Center, I say, ‘Good on you! You have a wonderful and exciting ride ahead!’”